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Spelman College Museum of Fine Art Launches 2017 with a Solo Exhibition by Acclaimed Artist Mickalene Thomas Share a Spelman College Press Release

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Media Contacts:
Audrey Arthur
Twitter: @SpelmanMedia

Wyatt Phillips
Twitter: @SpelmanMuseum

ATLANTA (February 1, 2017) -- Spelman College Museum of Fine Art is proud to present “Mickalene Thomas: Mentors, Muses, and Celebrities,” an exhibition featuring new work by acclaimed painter, photographer, sculptor and filmmaker Mickalene Thomas, as a highlight of its 20th anniversary celebration. This solo exhibition, which is organized by the Aspen Art Museum, features photography, mirrored silkscreen portraits, film, video and site specific installations. Thomas edits together rich portraits of herself and iconic women from all aspects of culture—performers, comedians, dancers and other entertainers—at play in her life and in her art.

The exhibition encourages viewers to consider deeply, how personal and public figures have reflected, re-imagined and altered their own self-image to create a larger narrative of what it means to be a woman in today’s society.

The exhibition makes its Southeast debut February 9, 2017, and will be on view at the Museum through May 20, 2017. “Mickalene Thomas: Mentors, Muses, and Celebrities” continues Spelman’s emphasis on serving as a cultural hub for the community—forging meaningful collaborations with renowned artists such as Thomas.

Thomas, whose work was included in the Museum’s 2013 presentation of “Posing Beauty in African American Culture” and 2009 exhibition “Undercover: Performing and Transforming Black Female Identities,” is inspired by a range of sources including art history, popular culture and feminist thought. By creating, manipulating and collaging the images and voices of a wide variety of women who inspire the artist, Thomas investigates and deconstructs conventional definitions of beauty, race and gender challenging stereotypes of how the female body is portrayed in the media. However, through collaging the women together—women she personally knows as well as women she admires—the exhibition can be seen as a portrait of the artist’s personal world, literally and physically showing the artist alongside her own mentors, muses and celebrities.

“Do I Look Like a Lady? (Comedians and Singers),” a two-channel video projection, is one of the highlights of the exhibition. Through this chorus of sound bites by Black female comedians and singers such as Whoopi Goldberg, Jackie “Moms” Mabley, Wanda Sykes and musical icons Josephine Baker, Whitney Houston, Eartha Kitt, Nina Simone, among others. Thomas creates moving and at times riotous portraits that explore the relationship between language, gender, race and power.

“Mickalene Thomas: Mentors, Muses, and Celebrities” includes several noteworthy video-based works. “Angelitos Negros,” for example, features Eartha Kitt, who Thomas has revisited several times throughout her career. In her 1953 emotional performance about racial discrimination, Kitt demands that painters “Paint me some Black angels now,” a remake of a song by Andrés Blanco Guzman based on “Pintame angelitos negros” by Venezuelan poet Andrés Eloy Blanco. By manipulating Kitt’s performance, Thomas subtly asserts herself as the conductor of a larger orchestra, as she selectively cues different video montages at a time. The selected footage then serves as her instruments, or as an ensemble, wildly performing in harmony.

“Me as Muse” is a multimedia video installation in which Thomas challenges and disrupts historical perceptions of beauty, fictional spaces, and traditional gender roles. In this video, Thomas incorporates her own reclined nude body; she rehearses the very act of painting and stretches the boundaries of art history itself. As such, she introduces new spaces for Black women to occupy.

“Mickalene Thomas: Mentors, Muses, and Celebrities” introduces “Screen Tests,” a series of silent films that are inspired by Andy Warhol’s “Screen Tests.” In these experiments, she pushes the boundaries of her practice and constructs a psychological examination of women subjects, allowing the viewer and sitters’ gazes to interlock.

The exhibition also presents a new body of mirrored silkscreen portraits that are informed by the movie adaptation of “The Color Purple,” which Thomas initially saw with her mother when she was 14 years old. The interplay between all of the women in the film ignited an interest in gender and language that she regularly explores through her work. These mirrored silkscreen portraits feature layered, superimposed stills of the principal characters that capture their emotion, gestures and reactions, and literally reflect the complicated, shifting and overlapping roles and perceptions of women who represent diverse types of beauty, intelligence and strength.

Thomas transports viewers, inviting them to dwell in the dimly lit 1970s inspired interior settings including chairs, ottomans, and large floor pillows designed by Thomas. Situated throughout the exhibition, these lush salons include books by influential Black writers including Lorraine Hansberry, Audre Lorde, Toni Morrison, Ntozake Shange, Alice Walker, and many others. Within these tableaus without walls, Thomas makes the rich discourses, which are available to visitors, and further encourages them to engage, read, reflect and discuss their personal relationships to the images and ideas on view.

“‘Mickalene Thomas: Mentors, Muses, and Celebrities’ exemplifies the commitment that the Museum has had to championing the aesthetic and technological innovation made by Black women artists since it opened in 1996,” noted Museum Director Andrea Barnwell Brownlee, Ph.D., C’93. “Thomas’ continued and rigorous engagement with Black women muses resonates deeply with the intellectual, creative and activist charges that the Spelman College community continues to lead.”

Thomas created the works in “Mickalene Thomas: Mentors, Muses, and Celebrities” in 2016 while she was the Gabriela and Ramiro Garza Distinguished Artist in Residence at the Aspen Art Museum. “Mickalene Thomas: Mentors, Muses, and Celebrities” is curated by Courtenay Finn, curator at the Aspen Art Museum. According to Finn, “‘Mentors, Muses, and Celebrities’ is a timely and important celebration of the Black female body. The women in Thomas’ work meet the camera [and the viewer] head on, simultaneously embodying boldness, vulnerability and power. In creating this collage celebrating diverse types of beauty, strength and intelligence, Thomas reminds us all of the multitude of ways to be a muse, mentor and celebrity.”

Thomas said, “The women in my work put up a formidable barrier to the cliches traditionally laid on them, specifically Black women in art. They look right back at the viewer with self-knowledge demanding to be seen while creating the impression of seeing right through the viewer. By depicting women of color, I'm raising their visibility and inserting their presence into an art historical conversation, portraying real women with their own unique history, beauty and background. I’m working to diversify the representation of Black women in art. I’m hoping that someone standing in front of my art will get the same feeling I got when I stood in front of the work of Carrie Mae Weems:  a sense of possibility and accessibility. Just as my muses insist on their visibility and identity, I want my viewers to feel present with fierceness and boldness. I want them to claim their rightful space in the world.”

“Mickalene Thomas: Mentors, Muses, and Celebrities,” aligns with #BeYourOwnMuse, the Museum’s 20th anniversary interactive campaign, which encourages viewers to define their own voices and creative potential.

Due to mature content and adult language, visitor discretion is advised.

“Mickalene Thomas: Mentors, Muses, and Celebrities,” is organized by the Aspen Art Museum. Spelman College’s presentation is made possible by the Wish Foundation and the LUBO Fund.


Opening Reception

On Thursday, February 9,  at 6:30 p.m., the Museum and Art Papers magazine in collaboration with Atlanta Celebrates Photography will host ART PAPERS LIVE. Mickalene Thomas will be in conversation with Beverly Guy-Sheftall, Ph.D., C’66, a Black feminist scholar, the founding director of the Women’s Research and Resource Center at Spelman College, and the Anna Julia Cooper Professor of Women’s Studies and English. They will discuss the compelling body of work in the exhibition, the array of topics that inform Thomas’ work, the role of artists as storytellers, current projects and much more. Admission is free. However, capacity is limited and registration is required through

Yoga in the Museum
Mondays, February 13 – April 24, 2017*
12 p.m. – 1 p.m.
Enjoy a yoga class surrounded by works of art and engage in a practice that focuses on balance, focus, and strength.

Yoga in the Museum is free and open to beginner and experienced yogis. Space is limited and available on a first-come, first-served basis.

Yoga in the Museum is made possible with support from Bloomingdales.

Please contact us at 404-270-5607,, or @spelmanmuseum on Twitter with questions and for more information.

*The Museum will be closed Monday, March 13, 2017 in observance of spring break.

Spelman College Family Weekend: Tour the Museum
Friday, February 17, 2017
12 p.m. – 1 p.m.
Each year, during Family Weekend, Spelman College extends a warm welcome to the families of its students. The Museum will offer a special guided tour of "Mickalene Thomas: Mentors, Muses, and Celebrities" led by a student Museum Ambassador and her mentor.

This program is organized in collaboration with Spelman Office of Student Life and Engagement.

3 + 1: NAMOUR
Tuesday, March 7, 2017
6:30 p.m.
Camille Olivia Hanks Cosby, Ed.D., Academic Center Auditorium
The Museum will host a special Women’s History month advance screening of Heidi Saman's award-winning film "NAMOUR" (2016). "NAMOUR" is a heartfelt exploration of negotiating personal responsibility and moral conviction within the American immigrant community.

This 3 + 1 program is organized in collaboration with the BronzeLens Film Festival and ARRAY.

3 + 1: Older Women and Love
Saturday, March 25, 2017
12:00 pm
Camille Olivia Hanks Cosby, Ed.D., Academic Center Auditorium
Enjoy a community screening of Camille Billops’ film "Older Women and Love" (1986), which explores intergenerational relationships and celebrates female sexuality. Immediately following the screening, participants representing the arts, women's studies, and sexual health will engage "Older Women and Love" within the context of gender, race and relationships.

This 3 + 1 program is organized in collaboration with the Stuart A. Rose Manuscript, Archives & Rare Book Library, Emory University.

About 3 + 1
3 + 1 is a community film screening and discussion program. Three film experts with diverse (and oftentimes conflicting) perspectives are featured with one empty seat for a member of the audience to occupy and participate in the dialogue.

Michelle Hite, Younger Sundays
Sunday, April 2, 2017

3 p.m.
Younger Sundays invites audiences into an extended meditation on expressions of clarity in African-American lives as meaningful cultural, political and social texts. Sunday, the one day that African Americans had time for themselves, acts as the program's muse and guide to contemplating freedom, love and beauty. This BLACK BOX showcases the brilliant utterances of African American Sundays and explores the digital possibilities for sharing this insight for 21st century citizens.

BLACK BOX is a site for play, dialogue, and creative risk taking where an artist shares an in-progress work in front of an audience for feedback, engagement, and encouragement. It also provides a space for arts enthusiasts to view compelling work from some of the most exciting and thought-provoking artists working today. Each BLACK BOX focuses on the art and culture of the African Diaspora.

Artists interested in participating in BLACK BOX should email with BLACK BOX in the subject line for submission guidelines.

Drawing Sessions in the Museum
Thursday, April 20, 2017
7 p.m.
The Spelman College Department of Art and Art History has a longstanding tradition of hosting life drawing sessions for artists of all ages and levels. The community is invited to take part in the drawing sessions inside the Museum with artist educator Charmaine Minniefield and special guests.

This program is free and open to the public. Attendees must bring their own materials. Please note paint is not allowed in the galleries.

This program is organized in collaboration with the Department of Art and Art History, Spelman College.

Be Your Own Muse is a podcast series that highlights Black women cultural producers. Since launching in September 2016, the Museum has featured celebrated artists and curators, including Erika Dalya Massaquoi, Ph.D. and Vanessa German. Upcoming recordings will include Mickalene Thomas, internationally recognized educator Collette Hopkins, Ph.D., and Living Walls’ inaugural Laura Calle grantee Danielle Deadwyler, among others. Follow the Museum on SoundCloud for updates.

Guided Tours
The Spelman College Museum of Fine Art provides guided tours of its exhibitions free of charge. To schedule a tour, email with Guided Tour in the subject line.

Please contact the Museum at 404-270-5607,, or @spelmanmuseum on Twitter with questions about any of the above programs and for more information.

About the Artist
Mickalene Thomas is a 2015 United States Artists Francie Bishop Good & David Horvitz Fellow and a distinguished visual artist, filmmaker and curator whose work has been exhibited extensively both nationally and internationally. She is known for paintings that combine art historical, political and pop-cultural references. Her work introduces complex notions of femininity and challenges common definitions of beauty and aesthetic representations of women.

Thomas holds a Master of Fine Arts from Yale University and a Bachelor of Fine Arts from Pratt Institute. She’s held solo museum exhibitions at the Brooklyn Museum, Santa Monica Museum of Art, George Eastman House, New York and L’Ecole des Beaux Arts, Monaco. Recent solo exhibitions include “Mickalene Thomas: Do I Look Like a Lady”? at MOCA Grand, Los Angeles, “Mickalene Thomas: Mentors, Muses, and Celebrities,” at Aspen Art Museum, “Waiting on a Prime-Time Star” at Newcomb Art Museum and “Muse: Mickalene Thomas Photographs” at Aperture Foundation, New York, which is scheduled to travel to several venues across the United States through 2018, featuring her notably curated exhibition “tête-à-tête.” Her work has been a part of numerous group exhibitions, including “Us is Them” at Pizzuti Collection, “Eye Pop: The Celebrity Gaze” at Smithsonian National Portrait Gallery, “Fifty Years After: Gordon Parks, Carrie Mae Weems, Mickalene Thomas, LaToya Ruby Frazier” at James Barron Gallery and the exhibition “30 Americans,” which is organized by the Rubell Family Collection, Miami and has been featured at many institutions since 2008. Thomas’ work is in many permanent collections including San Francisco MoMA, Brooklyn Museum, Guggenheim, Seattle Art Museum, Smithsonian National Portrait Gallery, MoMA PS1, New York, among many others.

Thomas is represented by Lehmann Maupin, New York and Hong Kong; Kavi Gupta Gallery, Chicago; and Galerie Nathalie Obadia, Paris and Brussels. She lives and works in New York, and serves on the boards of the Brooklyn Museum, Children’s Museum of the Arts, MoCADA, MoMA PS 1, BOMB Magazine and Rush Philanthropic Arts Foundation.

About Spelman College Museum of Fine Art
In “Six Reasons to Love Atlanta,” praised the Spelman College Museum of Fine Art for its “fantastically curated exhibitions” that focus on art by and about women of the African Diaspora. Since the Museum opened in 1996, it has established an impressive track record for organizing first-rate, mission-specific, art exhibitions that expand art offerings in Atlanta and the southeast region. It has garnered a reputation for organizing exhibitions that merit national and international attention. Milestones include being selected as the first institution from the United States that jointly (along with the Contemporary Arts Museum Houston) represented the United States at the 2012 Havana Biennial in Havana, Cuba. The Museum is poised to continue its trajectory of pursuing ambitious relevant projects that have a lasting impact. For more information visit

About Spelman College
Founded in 1881, Spelman College is a highly selective, liberal arts college widely recognized as the global leader in the education of women of African descent. Located in Atlanta, the College’s picturesque campus is home to 2,100 students. Outstanding alumnae include Children’s Defense Fund Founder Marian Wright Edelman; Sam’s Club CEO Rosalind Brewer, Broadway producer Alia Jones, former Acting Surgeon General and Spelman’s first alumna President Audrey Forbes Manley, Harvard professor Evelynn Hammonds, author Pearl Cleage; and actress LaTanya Richardson Jackson. For more information, visit


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