Staff
Andrea Barnwell , an art
historian, writer, and critic, is the Director
of the Spelman College Museum of Fine Art.
Her primary research interests are African
American, Black British, and Contemporary African
art. Her writings have been featured in major
publications including To Conserve a Legacy:
American Art from Historically Black Colleges
and Universities, Rhapsodies in Black: The
Art of the Harlem Renaissance, and African
Americans in Art: Selections from The Art Institute
of Chicago.
In 1999 she organized and was the principal
author of The Walter O. Evans Collection
of African American Art. Her critical
writings have appeared in numerous journals
including the International Review of African
American Art, African Arts, and NKA: Journal
of Contemporary African Art. She is the
recipient of numerous academic and scholarly
awards including a MacArthur Curatorial Fellowship
in the Department of Modern and Contemporary
Art at The Art Institute of Chicago (1998-2000).
She was recently selected to participate in
the 2003 class of the Museum Management Institute
at the Getty Leadership Institute. Barnwell,
an alumna of Spelman College, completed her
Masters and Doctorate degrees in art history
from Duke University. Her monograph, Charles
White, The David C. Driskell Series of African
American Art, Volume I, was published
by Pomegranate Communications in 2002. Barnwell
currently serves on the board of the Metropolitan
Atlanta Art Fund.
Anne Collins Smith joined
the Museum staff as Curator of Collections
in September 2003. Smith recently completed
an Andrew W. Mellon Curatorial Fellowship at
the Davis Museum and Cultural Center at Wellesley
College where she implemented interdisciplinary
interpretation and programming related to the
Museum’s permanent collection and exhibitions.
During her tenure there, she also developed
the exhibition The Space Between: Artists Engaging
Race and Syncretism, which explored how artists
across the African Diaspora engage and bring
into accord their multipartite heritages and
identities. An alumna of Spelman College, Smith
completed her B.A. in English and Art History
in 1996 and her M.A. in Visual Arts Administration
at New York University in 1998. Her research
interests include cosmopolitanism and African
Diasporic continuity in artistic and cultural
practices. She served as an intern at the Cinque
Gallery in New York (1997 – 1999) and
a Romare Bearden Fellow at the Saint Louis
Art Museum (1999 – 2000).